"... words were consequential in a way ... [that] pictures were not. The pictures belonged to their instant; though they could serve memory, they were not the same as memory. You could not quarrel with the pictures. You could not change what they insistently and irremediably saw. But as the words rushed in in torrents, as they proliferated, becoming more and more various and removed, some broke through the gates of memory into the freer fields of parable, myth, analogy, symbol, story. And where memory was fastidious in honoring history, story turned to the other muses. Where memory was strict, fiction could be lenient, and sometimes lax. Where memory struggled for stringency of historical precision, fiction drifted toward history as a thing to be used, as imagination's stimulus and provocation."
From "The Rights of History and the Rights of Imagination", in Cynthia Ozick's "Quarrel & Quandary", 2000: 105.
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